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Rock Music Styles A History


Author : Katherine Charlton
language : en
Publisher: McGraw-Hill Education
Release Date : 2014-04-03



Download Rock Music Styles A History written by Katherine Charlton and has been published by McGraw-Hill Education this book supported file pdf, txt, epub, kindle and other format this book has been release on 2014-04-03 with Music categories.


In its seventh edition, Rock Music Styles: A History offers an updated perspective on the development of rock music from its origins to its most contemporary styles. Charlton takes students through genres by focusing on featured performers, exploring important songs in Listening Guides, and drawing connections between musical developments throughout the decades. Additionally, decade overviews and chronology charts detailing historical and rock-related events side by side provide a historical and social framework through which to understand rock music styles in the 20th century and beyond.

A History Of Rock Music


Author : Piero Scaruffi
language : en
Publisher: iUniverse
Release Date : 2003



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This history of rock music is not a history of the charts (which I consider an aberration), but a history of the great ideas introduced by rock musicians over 50 years of relentless innovation, and the history of their greatest albums (regardless of how many copies were sold). It ends up being more focused on "alternative" rock than on "mainstream" rock, simply because alternative musicians tend to be more innovative and sincere than mainstream musicians. In a sense, rediscovering "alternative" rock and giving it its dues is also a way to restore the reputation of rock music among the more sophisticated audiences. Today, rock music is a genre that employs sampling techniques, electronic instruments, digital/computer technology, cacophony, and ethnic sources. The roots of today's rock music lie in the technical innovations brought about in the first half of the 20th century. Therefore, my "alternative" history of rock music begins much earlier than most books on the origins of rock'n'roll, and covers much more territory than guitar-driven rock'n'roll.

The Rock History Reader


Author : Theo Cateforis
language : en
Publisher: Routledge
Release Date : 2013



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The Rock History Reader is an eclectic compilation of readings that tells the history of rock as it has been received and explained as a social and musical practice throughout its six decade history. The readings range from the vivid autobiographical accounts of such rock icons as Ronnie Spector and David Lee Roth to the writings of noted rock critics like Lester Bangs and Chuck Klosterman. It also includes a variety of selections from media critics, musicologists, fanzine writers, legal experts, sociologists and prominent political figures. Many entries also deal specifically with distinctive styles such as Motown, punk, disco, grunge, rap and indie rock. Each entry includes headnotes, which place it in its historical context. This second edition includes new readings on the early years of rhythm & blues and rock 'n' roll, as well as entries on payola, mods, the rise of FM rock, progressive rock and the PMRC congressional hearings. In addition, there is a wealth of new material on the 2000s that explores such relatively recent developments as emo, mash ups, the explosion of internet culture and new media, and iconic figures like Radiohead and Lady Gaga. With numerous readings that delve into the often explosive issues surrounding censorship, copyright, race relations, feminism, youth subcultures, and the meaning of musical value, The Rock History Reader continues to appeal to scholars and students from a variety of disciplines.

Grunge Is Dead


Author : Greg Prato
language : en
Publisher: ECW Press
Release Date : 2010-12-15



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Grunge Is Dead weaves together the definitive story of the Seattle music scene through a series of interviews with the people who were there. Taking the form of an "oral" history, this books contains over 130 interviews, along with essential background information from acclaimed music writer Greg Prato. The early '90s grunge movement may have last only a few years, but it spawned some of the greatest rock music of all time: Pearl Jam, Nirvana, Alice in Chains, and Soundgarden. This book contains the first-ever interview in which Pearl Jam's Eddie Vedder was willing to discuss the group's history in great detail; Alice in Chains' band members and Layne Staley's mom on Staley's drug addiction and death; insights into the Riot Grrrl movement and oft-overlooked but highly influential Seattle bands like Mother Love Bone/Andy Wood, the Melvins, Screaming Trees, and Mudhoney; and much more. Grunge Is Dead digs deeper than the average grunge history, starting in the early '60s, and explaining the chain of events that gave way to the grunge movement. The end result is a book that includes a wealth of previously untold stories and insight for the longtime fan, as well as its renowned story for the newcomer. Grunge Is Dead collects the whole truth of grunge music in one comprehensive volume.

Genesis And The Lamb Lies Down On Broadway


Author : Kevin Holm-Hudson
language : en
Publisher: Ashgate Publishing, Ltd.
Release Date : 2008



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In 1974 the British progressive rock group Genesis released their double concept album The Lamb Lies Down on Broadway, now widely regarded as a classic album of 1970s progressive rock. This album has inspired nearly fanatical devotion among progressive rock fans, some of whom have constructed elaborate web sites purporting to 'explain' The Lamb. The album is a surreal allegory drawing its material from religious, literary and psychological themes. More than thirty years after its release, The Lamb Lies Down on Broadway still enthralls listeners, earning the distinction of being Genesis's most consistently selling back-catalogue release.

How The Beatles Destroyed Rock N Roll


Author : Elijah Wald
language : en
Publisher: Oxford University Press
Release Date : 2009-06-01



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"There are no definitive histories," writes Elijah Wald, in this provocative reassessment of American popular music, "because the past keeps looking different as the present changes." Earlier musical styles sound different to us today because we hear them through the musical filter of other styles that came after them, all the way through funk and hip hop. As its blasphemous title suggests, How the Beatles Destroyed Rock 'n' Roll rejects the conventional pieties of mainstream jazz and rock history. Rather than concentrating on those traditionally favored styles, the book traces the evolution of popular music through developing tastes, trends and technologies--including the role of records, radio, jukeboxes and television --to give a fuller, more balanced account of the broad variety of music that captivated listeners over the course of the twentieth century. Wald revisits original sources--recordings, period articles, memoirs, and interviews--to highlight how music was actually heard and experienced over the years. And in a refreshing departure from more typical histories, he focuses on the world of working musicians and ordinary listeners rather than stars and specialists. He looks for example at the evolution of jazz as dance music, and rock 'n' roll through the eyes of the screaming, twisting teenage girls who made up the bulk of its early audience. Duke Ellington, Benny Goodman, Frank Sinatra, Elvis Presley, Chuck Berry, and the Beatles are all here, but Wald also discusses less familiar names like Paul Whiteman, Guy Lombardo, Mitch Miller, Jo Stafford, Frankie Avalon, and the Shirelles, who in some cases were far more popular than those bright stars we all know today, and who more accurately represent the mainstream of their times. Written with verve and style, How the Beatles Destroyed Rock 'n' Roll shakes up our staid notions of music history and helps us hear American popular music with new ears.

Future Prospects For Music Education


Author : Sidsel Karlsen
language : en
Publisher: Cambridge Scholars Publishing
Release Date : 2012-01-17



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Informal learning pedagogy has become a major topic within the international field of music education, due in no small part to Lucy Green’s groundbreaking research on popular musicians’ learning, as well as her subsequent efforts to turn her research findings into a pedagogy that can be implemented in comprehensive school music education. This has generated massive interest and attention among music education practitioners and scholars worldwide. With experience of studying and working within higher music education in the Nordic countries, the editors of this anthology, Sidsel Karlsen and Lauri Väkevä, are well acquainted with popular music-related informal learning pedagogies, which have formed an important aspect of comprehensive school music education in the Nordic countries for more than two decades. With this familiarity also comes a wish to contribute to the critical examination and further development of existing practices, by corroborating informal learning pedagogy in popular music from different angles. The introduction of this book explores different theoretical starting points for investigations of the formal-informal nexus. The following chapters, written by an international community of experienced music education scholars and practitioners, afford critical examinations of informal learning pedagogies from various perspectives, either theoretical or research-based. In the last chapter, Lucy Green paves the way for moving informal and aural learning into the traditional instrumental music lesson. Altogether, the anthology aims to explore some of the future prospects for music education with informal learning pedagogy as the focal point.